2026PCM(2025)
Personhood(2024)
EMERGE:NCY(2023)
User(2026)
Metadata(2026)
Box Body(2023)Personhood at Asian Art Museum

Proof of Personhood (2024), XJ’s latest projection-mapped interactive installation, premiered at the Asian Art Museum’s Lee Gallery as a part of the museum’s Research and Development (RAD) program, curated by Cheng Xu. The exhibition opened on October 6 with a fully reserved artist talk and audience Q&A.
Borrowing its title from digital verification mechanisms that authenticates an online user as a real, unique human being, the installation responds to the “Dead Internet Theory”, the hypothesis that much of today’s internet is dominated by non-human activity. Inside the empty gallery, a lone spotlight decouples shadows from physical bodies, creating a space where visitors coexist with autonomous silhouettes that lack human origins, raising the question of what it means to live alongside AI-agents as digital shadows of ourselves.



















Silent InterferenceFengling Commercial Building (Taoyuan, Taiwan)Exhibition

AI as an Art MaterialHelix Art Space (Stockholm, Sweden)Talk

Alternative Roots FestivalHoxton Hall (London, UK)Exhibition

Art as an Act of HomemakingBow Arts (London)Talk

Personhood at Speculum ArtiumDelavski dom Trbovlje (Trbovlje, Slovenia)Exhibition

BEAM at Royal Society of SculptorsRoyal Society of Sculptors (London, UK)Exhibition

CIRCA2023 Public Vote PrizePiccadilly Lights (London, UK)Award

Screening at Piccadilly LightsPiccadilly Lights (London, UK)Screening

Ars Electronica FestivalAtelierhaus Salzamt (Linz, Austria)Exhibition

ART-ACT FestivalTen Square (Singapore)Exhibition
Agawen is the studio practice of J. Aga (PH) and Xin Wen (CN/US). Their collaboration began in London, where they completed a joint postgraduate programme between the Royal College of Art and Imperial College London. They made their artistic debut during a term abroad in Singapore, followed by a UK debut later that year on the Piccadilly Lights, which received the CIRCA Public Vote Prize.
Their current body of work is about how contemporary life is structurally determined by cities and screens, and it draws from their experience as diasporic artists and their technical foundation as design-engineers. Their experimental videos, kinetic sculptures, and immersive installations have been exhibited at the Asian Art Museum (San Francisco, USA), Ars Electronica (Linz, Austria), Helix Art Space (Stockholm, Sweden), and Speculum Artium (Trbovlje, Slovenia).
Formerly XJ.
