
Personhood: Iteration 4: A new iteration of the projection-mapped interactive installation exploring the boundaries of presence and identity.

2025PCM(2025)
Commissioned by Kakilang in 2025. A special thank you to Howl Cheng-Po Yuan (Artistic Director at Kakilang) for continued support throughout the project.
As a response to the encroaching structural determinism of contemporary life and London’s cost of living crisis, X&J presents 2025PCM, a projection-mapped film installation at the intersection of immersive media, 3D film production techniques, and physical performance, made for 90-degree building facades around London.
Inspired by Xin’s first studio in London, the installation depicts a London flat measuring just one cubic metre, fully furnished with bare essentials with an IKEA-esque aesthetic. It captures the absurdity of a London home that is way too small for a price that is way too high. The film follows Xin as she attempts to make it her own, even if just for a while, as the timer to her own right to live in London ticks down.
2025PCM was developed in collaboration with Joy Chao (Cinematographer and guest performer).
















A (barely) livable cubic meter flat
To properly convey the absurdity of a person making do with a tiny flat, it was important to us that the space contained all the bare amenities that a landlord could reasonably upsell. We decided that meant sourcing real sockets, latches, and lamps, factory-fabricating custom furniture, and constructing a functional kitchenette.





















Personhood: Iteration 4: A new iteration of the projection-mapped interactive installation exploring the boundaries of presence and identity.

Self—ish: Our first multi-work solo exhibition, featuring old and new works across kinetic sculpture, video art, and projection-mapped installations.

Silent Interference: Our new video artwork, Non-moment (2025), was exhibited on an outdoor LED screen in Taiwan as a part of Silent Interference (靜噪).

AI as an Art Material: We shared our perspective on the deliberate usage of AI as an art "material" in the context of our creative practice on the first Creative Breakfast series at Helix Art Space.

Alternative Roots Festival: A rough-cut screening of our new projection-mapped short film, 2025PCM, for the day-long festival at Hoxton Hall.

An Act of Homemaking: We presented a first cut of 2025PCM and shared our experiences as migrant creatives in London at Bow Arts.

Speculum Artium: A video version of Personhood (2024) was exhibited at the Speculum Artium Festival.

Proof of Personhood: The first iteration of Personhood (2024) was developed for RAD space of Asian Art Museum in San Francisco.

Into the Future: Premiere of You.zip (2024), a video artwork exploring digital identity.

Technarte Conference: An artist talk at Palacio Euskalduna, Bilbao.

Royal Society of Sculptors: A first prototype of BEAM (2023) was exhibited at the Royal Society of Sculptors as one of the finalists of the Interplay Kinetic Design Competition.

CIRCA2023 Public Vote Prize: EMERGE:NCY (2023) received the CIRCA2023 Public Vote Prize, announced by Michèle Lamy.

Screening at Piccadilly Lights: As a CIRCA2023 Prize finalist, EMERGE:NCY (2023) was screened on the Piccadilly Lights.

Ars Electronica Festival: An adaptation of the site-specific installation Box Body (2023) for indoor exhibition.

ART-ACT Festival: The premiere of Box Body (2023) as part of Singapore Art Week 2023.
Xin Wen and JJ Agcaoili operate as XJ: a Chinese-American and Filipino artistic duo grown out of London, now working internationally. Their award-winning practice reckons with the human subject in collision with the material and digital structures that determine contemporary life. This focus is embodied in their expansive body of work across experimental video, kinetic sculpture, and immersive installation, which has been exhibited in Stockholm, San Francisco, Taiwan, Linz, Singapore, London, and more.
