
Personhood: Iteration 4: A new iteration of the projection-mapped interactive installation exploring the boundaries of presence and identity.

Metadata(2026)
Metadata is a radical portrait of the contemporary individual: surveilled, anonymized, dehumanized, and subsumed into naked clouds of datapoints. By implying much about the quantified person while saying nothing of the unique individual, the work embodies three layers of psychopolitical exploitation: the intimate surveillance of the self, the reduction of that self into data, and the commodification of this data for the consolidation of power.




Modern human nature
Production began with the acquisition of a medical-grade anatomical 3D model of a human body, which was virtually dissected to reveal only bones and nerves to evoke the datafication of a person normally achieved through CT scans and MRIs. These remains were then posed in a crouch with looped phone-scrolling animation. A point cloud was propagated over the resulting mesh, animated to flash in time with each thumb-scroll to mirror the chemical messengers that digital systems manipulate.
The work is projected onto a translucent and loosely-draped curtain to give physical volume and presence to the skeletal form, and also further placing it within a domestic sphere.














Personhood: Iteration 4: A new iteration of the projection-mapped interactive installation exploring the boundaries of presence and identity.

Self—ish: Our first multi-work solo exhibition, featuring old and new works across kinetic sculpture, video art, and projection-mapped installations.

Silent Interference: Our new video artwork, Non-moment (2025), was exhibited on an outdoor LED screen in Taiwan as a part of Silent Interference (靜噪).

AI as an Art Material: We shared our perspective on the deliberate usage of AI as an art "material" in the context of our creative practice on the first Creative Breakfast series at Helix Art Space.

Alternative Roots Festival: A rough-cut screening of our new projection-mapped short film, 2025PCM, for the day-long festival at Hoxton Hall.

An Act of Homemaking: We presented a first cut of 2025PCM and shared our experiences as migrant creatives in London at Bow Arts.

Speculum Artium: A video version of Personhood (2024) was exhibited at the Speculum Artium Festival.

Proof of Personhood: The first iteration of Personhood (2024) was developed for RAD space of Asian Art Museum in San Francisco.

Into the Future: Premiere of You.zip (2024), a video artwork exploring digital identity.

Technarte Conference: An artist talk at Palacio Euskalduna, Bilbao.

Royal Society of Sculptors: A first prototype of BEAM (2023) was exhibited at the Royal Society of Sculptors as one of the finalists of the Interplay Kinetic Design Competition.

CIRCA2023 Public Vote Prize: EMERGE:NCY (2023) received the CIRCA2023 Public Vote Prize, announced by Michèle Lamy.

Screening at Piccadilly Lights: As a CIRCA2023 Prize finalist, EMERGE:NCY (2023) was screened on the Piccadilly Lights.

Ars Electronica Festival: An adaptation of the site-specific installation Box Body (2023) for indoor exhibition.

ART-ACT Festival: The premiere of Box Body (2023) as part of Singapore Art Week 2023.
Xin Wen and JJ Agcaoili operate as XJ: a Chinese-American and Filipino artistic duo grown out of London, now working internationally. Their award-winning practice reckons with the human subject in collision with the material and digital structures that determine contemporary life. This focus is embodied in their expansive body of work across experimental video, kinetic sculpture, and immersive installation, which has been exhibited in Stockholm, San Francisco, Taiwan, Linz, Singapore, London, and more.
