2026PCM(2025)
Personhood(2024)
EMERGE:NCY(2023)
User(2026)
Metadata(2026)
Box Body(2023)
Cost of Living(2024)
Cost of Living is a video sculpture that embodies the angst of an age that normalizes precarity, through a living room locked in cycles of chaos and order. Within the space’s bounds its furnishings thrash about violently until lights flicker off and on to reveal them miraculously rearranged in tidy new configurations every time. Only after sustained attempts to shake up the room do its walls collapse and its furnishings break free—leaving behind a boundless white.
In collaboration with Luling Wang (score).







Cost of Living took a technique developed for Box Body (2023) and EMERGE:NCY (2023) to a new miniature scale. The production began with a 1:120 physical model reproducing the geometric architecture of the Piccadilly Lights screen, furnished with store-bought pieces of realistic dollhouse homeware. The entire unit was flailed about while filming in slow-motion with a custom camera rig.
The work has not yet been screened on the intended site.
















Silent InterferenceFengling Commercial Building (Taoyuan, Taiwan)Exhibition

AI as an Art MaterialHelix Art Space (Stockholm, Sweden)Talk

Alternative Roots FestivalHoxton Hall (London, UK)Exhibition

Art as an Act of HomemakingBow Arts (London)Talk

Personhood at Speculum ArtiumDelavski dom Trbovlje (Trbovlje, Slovenia)Exhibition

BEAM at Royal Society of SculptorsRoyal Society of Sculptors (London, UK)Exhibition

CIRCA2023 Public Vote PrizePiccadilly Lights (London, UK)Award

Screening at Piccadilly LightsPiccadilly Lights (London, UK)Screening

Ars Electronica FestivalAtelierhaus Salzamt (Linz, Austria)Exhibition

ART-ACT FestivalTen Square (Singapore)Exhibition
Agawen is the studio practice of J. Aga (PH) and Xin Wen (CN/US). Their collaboration began in London, where they completed a joint postgraduate programme between the Royal College of Art and Imperial College London. They made their artistic debut during a term abroad in Singapore, followed by a UK debut later that year on the Piccadilly Lights, which received the CIRCA Public Vote Prize.
Their current body of work is about how contemporary life is structurally determined by cities and screens, and it draws from their experience as diasporic artists and their technical foundation as design-engineers. Their experimental videos, kinetic sculptures, and immersive installations have been exhibited at the Asian Art Museum (San Francisco, USA), Ars Electronica (Linz, Austria), Helix Art Space (Stockholm, Sweden), and Speculum Artium (Trbovlje, Slovenia).
Formerly XJ.
