BEAM

BEAM(2023)

3D-printed structure, programmed LED lights, stepper motors, and Arduino microcontroller
170 × 60 × 60 cm (66.9 × 23.6 × 23.6 in.) [Range of motion]
1 min. animated loop

BEAM is our jab at a current shape of technology that is anthropomorphically narcissistic, designed to serve, and made to degrade. We swapped the elbows and knuckles of the human body for collinear joints hidden in a form common to antlers and trees. In place of servitude, we introduce ambiguity—communication is facilitated through body language and light, and is motivated in equal part by human presence and more mysterious environmental stimuli. And where most pieces of technology walk a line between graceful degradation or forced obsolecense, we present a third path: form and intelligence that patina beautifully over time.

BEAM was co-developed with Wei Zhang and Luling Wang. It was awarded as a finalist at the 2023 Interplay Kinetic Design Competition with 1k prize for further development.

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The sculptural form consists of a custom 3D-printed shell modeled after organic branching structures. Movement is actuated by four NEMA17 stepper motors operating along collinear joints, driven by a microcontroller to execute bio-mimetic, low-velocity animations initially prototyped in Blender.

Light is treated as a kinetic element through a custom LED panel tube, with the possibility to transition from ambient diffusion to directional spotlighting, adding an additional dimension to BEAM’s movement language.

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Agawen is the studio practice of J. Aga (PH) and Xin Wen (CN/US). Their collaboration began in London, where they completed a joint postgraduate programme between the Royal College of Art and Imperial College London. They made their artistic debut during a term abroad in Singapore, followed by a UK debut later that year on the Piccadilly Lights, which received the CIRCA Public Vote Prize.

Their current body of work is about how contemporary life is structurally determined by cities and screens, and it draws from their experience as diasporic artists and their technical foundation as design-engineers. Their experimental videos, kinetic sculptures, and immersive installations have been exhibited at the Asian Art Museum (San Francisco, USA), Ars Electronica (Linz, Austria), Helix Art Space (Stockholm, Sweden), and Speculum Artium (Trbovlje, Slovenia).

Formerly XJ.

Exhibitions & Appearances

2026 Solo exhibition, MVR Gallery (Ithaca, NY, USA)
2026 Solo exhibition, Helix Art Space (Stockholm, Sweden)
2025 Artist talk, Helix Art Space (Stockholm, Sweden)
2025 Silent Interference, Turtle Chamber Projects (Taoyuan, Taiwan)
2025 Alternative Roots, Hoxton Hall (London, UK)
2025 Artist talk, Bow Arts (London, UK)
2025 Speculum Artium Festival (Trbovlje, Slovenia)
2025 Artist talk, Cornell University (Ithaca, NY, USA)
2024 Solo exhibition, Asian Art Museum (San Francisco, CA, USA)
2024 Into the Future, Whitespace Gallery (Edinburgh, UK)
2024 Artist talk, Technarte Conference (Bilbao, Spain)
2023 Royal Society of Sculptors (London, UK)
2023 CIRCA20:23, Piccadilly Lights (London, UK; also: Berlin, Milan)
2023 Ars Electronica Festival 2023 (Linz, Austria)
2023 ART-ACT Festival, Singapore Art Week (Singapore)

Awards & Commissions

2025 Kakilang Commission
2024 Artsted 99 Future Blue-Chip Artists
2023 CIRCA20:23 Public Vote Prize
2023 Interplay Kinetic Design: Major Award & Grant
2023 Media Architecture Biennale 2023 Finalist

Press & Mentions

Education

2023 Royal College of Art & Imperial College London
MA/MSc Global Innovation Design
Xin Wen and JJ Agcaoili