2026PCM(2025)
Personhood(2024)
EMERGE:NCY(2023)
User(2026)
Metadata(2026)
Box Body(2023)
User(2026)
Through a collision between traditional sculpture and robotic actuation, User serves to expose the contradictions betraying our conventional notions of beauty, humanity, and human agency when in friction against the accelerating landscape of technology. The human sculpture is a millenia-old celebration of the person, but has been tragically hijacked within this work and forced into the digital affordances of contemporary life.



Made to scroll
The kinetic mechanism of User relies on a modified Jansen linkage attached to Xin’s plaster-cast hand, broken at the thumb base, actuated by a battery-powered 6V N20 reduction gear motor, and tuned to simulate a natural scrolling cadence. Conductive materials are embedded within the thumb-tip to allow the hand to manipulate the capacitive touch screen surfaces of most smart phones.















Silent InterferenceFengling Commercial Building (Taoyuan, Taiwan)Exhibition

AI as an Art MaterialHelix Art Space (Stockholm, Sweden)Talk

Alternative Roots FestivalHoxton Hall (London, UK)Exhibition

Art as an Act of HomemakingBow Arts (London)Talk

Personhood at Speculum ArtiumDelavski dom Trbovlje (Trbovlje, Slovenia)Exhibition

BEAM at Royal Society of SculptorsRoyal Society of Sculptors (London, UK)Exhibition

CIRCA2023 Public Vote PrizePiccadilly Lights (London, UK)Award

Screening at Piccadilly LightsPiccadilly Lights (London, UK)Screening

Ars Electronica FestivalAtelierhaus Salzamt (Linz, Austria)Exhibition

ART-ACT FestivalTen Square (Singapore)Exhibition
Agawen is the studio practice of J. Aga (PH) and Xin Wen (CN/US). Their collaboration began in London, where they completed a joint postgraduate programme between the Royal College of Art and Imperial College London. They made their artistic debut during a term abroad in Singapore, followed by a UK debut later that year on the Piccadilly Lights, which received the CIRCA Public Vote Prize.
Their current body of work is about how contemporary life is structurally determined by cities and screens, and it draws from their experience as diasporic artists and their technical foundation as design-engineers. Their experimental videos, kinetic sculptures, and immersive installations have been exhibited at the Asian Art Museum (San Francisco, USA), Ars Electronica (Linz, Austria), Helix Art Space (Stockholm, Sweden), and Speculum Artium (Trbovlje, Slovenia).
Formerly XJ.
