2026PCM(2025)
Personhood(2024)
EMERGE:NCY(2023)
User(2026)
Metadata(2026)
Box Body(2023)
Screentime(2024)
Normally operating as stages for the sensational, captivating, and dopaminergic, the phone screens in Screentime are instead inverted: viewers occupy a space behind the screen, peeping through to observe people in unvarnished moments of private downtime. By transforming spectator into voyeur across several isolated displays, the work reflects on themes of pervasive surveillance and the ironically communal lonelinesses experienced on-device.
Featured performers: Arnau Donate, Liana O'Cleirigh, Aura Murillo, Clemens Scherf, Rhea Thomas, Ishaan Bose Verma, Xin Wen




Behind the screens
Performers were first interviewed on their nightly digital rituals, which they then replicated out of habit on a sheet of glass rigged with an embedded camera. These rigs were designed to capture interactions in extremely high fidelity, including the minutiae of fingertips pressed white on glass.
To emphasize the viewer’s position behind the screen-space, digital interfaces were meticulously designed and world-built from scratch on Figma, horizontally mirrored, then rendered and animated spatially through Blender.















Silent InterferenceFengling Commercial Building (Taoyuan, Taiwan)Exhibition

AI as an Art MaterialHelix Art Space (Stockholm, Sweden)Talk

Alternative Roots FestivalHoxton Hall (London, UK)Exhibition

Art as an Act of HomemakingBow Arts (London)Talk

Personhood at Speculum ArtiumDelavski dom Trbovlje (Trbovlje, Slovenia)Exhibition

BEAM at Royal Society of SculptorsRoyal Society of Sculptors (London, UK)Exhibition

CIRCA2023 Public Vote PrizePiccadilly Lights (London, UK)Award

Screening at Piccadilly LightsPiccadilly Lights (London, UK)Screening

Ars Electronica FestivalAtelierhaus Salzamt (Linz, Austria)Exhibition

ART-ACT FestivalTen Square (Singapore)Exhibition
Agawen is the studio practice of J. Aga (PH) and Xin Wen (CN/US). Their collaboration began in London, where they completed a joint postgraduate programme between the Royal College of Art and Imperial College London. They made their artistic debut during a term abroad in Singapore, followed by a UK debut later that year on the Piccadilly Lights, which received the CIRCA Public Vote Prize.
Their current body of work is about how contemporary life is structurally determined by cities and screens, and it draws from their experience as diasporic artists and their technical foundation as design-engineers. Their experimental videos, kinetic sculptures, and immersive installations have been exhibited at the Asian Art Museum (San Francisco, USA), Ars Electronica (Linz, Austria), Helix Art Space (Stockholm, Sweden), and Speculum Artium (Trbovlje, Slovenia).
Formerly XJ.
