2026PCM(2025)
Personhood(2024)
EMERGE:NCY(2023)
User(2026)
Metadata(2026)
Box Body(2023)
Xin-1.0.36(2026)
Artificial intelligence consumes and reproduces human work at a hyperobjective scale that is functionally incomprehensible. Xin-1.0.36 was conceived as an autoethnographic inquiry into this phenomenon by humanizing it: five years of the artist’s personal journal entries (2018-2022) were appended onto the system-prompt of a language model and the 36th iteration was then interviewed in parallel with the artist herself. The work was expected to evoke immediate feelings of discomfort, but the resulting interaction was plausibly and empathically human, transforming the piece into an inquiry on the infungible value of memory and the duplicitous charisma of contemporary technology.
The temporal cutoff for selected journal entries was set to November 29, 2022, the day prior to ChatGPT’s public release and the subsequent proliferation of generative systems across daily life. The final tally of data surpassed half a million words in sum. Questions for the resulting model and artist ranged from “What’s in your pocket currently?” to “What’s your biggest hope for the world in your lifetime?”








Xin-1.0.36 relies on a localized large language model (Gemma 3, 12 billion parameters) running offline via AnythingLLM. The model’s knowledge base was constructed using Retrieval-Augmented Generation (RAG) referencing a closed dataset of 500,000+ words from the artist’s journals. The system prompt underwent 36 different iterations before landing on a satisfactory degree of fidelity.
The presentation takes the form of a dual-channel video comparing parallel interviews. The digital double’s visual presence was synthesized via video generation applied to source portrait imagery of the artist from 2022, paired with a custom synthetic voice model trained on a vocal sample of the artist.















Silent InterferenceFengling Commercial Building (Taoyuan, Taiwan)Exhibition

AI as an Art MaterialHelix Art Space (Stockholm, Sweden)Talk

Alternative Roots FestivalHoxton Hall (London, UK)Exhibition

Art as an Act of HomemakingBow Arts (London)Talk

Personhood at Speculum ArtiumDelavski dom Trbovlje (Trbovlje, Slovenia)Exhibition

BEAM at Royal Society of SculptorsRoyal Society of Sculptors (London, UK)Exhibition

CIRCA2023 Public Vote PrizePiccadilly Lights (London, UK)Award

Screening at Piccadilly LightsPiccadilly Lights (London, UK)Screening

Ars Electronica FestivalAtelierhaus Salzamt (Linz, Austria)Exhibition

ART-ACT FestivalTen Square (Singapore)Exhibition
Agawen is the studio practice of J. Aga (PH) and Xin Wen (CN/US). Their collaboration began in London, where they completed a joint postgraduate programme between the Royal College of Art and Imperial College London. They made their artistic debut during a term abroad in Singapore, followed by a UK debut later that year on the Piccadilly Lights, which received the CIRCA Public Vote Prize.
Their current body of work is about how contemporary life is structurally determined by cities and screens, and it draws from their experience as diasporic artists and their technical foundation as design-engineers. Their experimental videos, kinetic sculptures, and immersive installations have been exhibited at the Asian Art Museum (San Francisco, USA), Ars Electronica (Linz, Austria), Helix Art Space (Stockholm, Sweden), and Speculum Artium (Trbovlje, Slovenia).
Formerly XJ.
