
Personhood: Iteration 4: A new iteration of the projection-mapped interactive installation exploring the boundaries of presence and identity.

Xin-1.0.36(2026)
Prior to the 29th of November, 2022 (the day of ChatGPT’s release and the widespread use of AI in the world), Xin had already written over half a million words in her daily journals. This version of Xin, without any idea of what is to come, has been fed into local LLMs and interviewed in parallel with Xin in 2026.
A list of questions asked:








Versions of self
AI can only exist where great human work is available to scrounge, and Xin's extensive journals [n] were an apt substrate for a custom-built LLM version of her. The work is a recording of two parallel interviews, with the human and digital double answering the same questions side-by-side.
The digital double is a Gemma3: 12 Billion parameter large language model running locally on a Macbook Pro, privately housed within AnythingLLM. This model was customized by Retrieval-Augmented Generation referencing a system prompt formed through the journals. This system prompt went through 36 different iterations before landing on a satisfactory model.















Personhood: Iteration 4: A new iteration of the projection-mapped interactive installation exploring the boundaries of presence and identity.

Self—ish: Our first multi-work solo exhibition, featuring old and new works across kinetic sculpture, video art, and projection-mapped installations.

Silent Interference: Our new video artwork, Non-moment (2025), was exhibited on an outdoor LED screen in Taiwan as a part of Silent Interference (靜噪).

AI as an Art Material: We shared our perspective on the deliberate usage of AI as an art "material" in the context of our creative practice on the first Creative Breakfast series at Helix Art Space.

Alternative Roots Festival: A rough-cut screening of our new projection-mapped short film, 2025PCM, for the day-long festival at Hoxton Hall.

An Act of Homemaking: We presented a first cut of 2025PCM and shared our experiences as migrant creatives in London at Bow Arts.

Speculum Artium: A video version of Personhood (2024) was exhibited at the Speculum Artium Festival.

Proof of Personhood: The first iteration of Personhood (2024) was developed for RAD space of Asian Art Museum in San Francisco.

Into the Future: Premiere of You.zip (2024), a video artwork exploring digital identity.

Technarte Conference: An artist talk at Palacio Euskalduna, Bilbao.

Royal Society of Sculptors: A first prototype of BEAM (2023) was exhibited at the Royal Society of Sculptors as one of the finalists of the Interplay Kinetic Design Competition.

CIRCA2023 Public Vote Prize: EMERGE:NCY (2023) received the CIRCA2023 Public Vote Prize, announced by Michèle Lamy.

Screening at Piccadilly Lights: As a CIRCA2023 Prize finalist, EMERGE:NCY (2023) was screened on the Piccadilly Lights.

Ars Electronica Festival: An adaptation of the site-specific installation Box Body (2023) for indoor exhibition.

ART-ACT Festival: The premiere of Box Body (2023) as part of Singapore Art Week 2023.
Xin Wen and JJ Agcaoili operate as XJ: a Chinese-American and Filipino artistic duo grown out of London, now working internationally. Their award-winning practice reckons with the human subject in collision with the material and digital structures that determine contemporary life. This focus is embodied in their expansive body of work across experimental video, kinetic sculpture, and immersive installation, which has been exhibited in Stockholm, San Francisco, Taiwan, Linz, Singapore, London, and more.
